July 15th – July 29th
I’m a stage designer and performer and currently also a student in a masters program called “Play && Object” at the University of Performing Arts Ernst Busch in Berlin. There I came in contact with physical computing, developing my own sensors with odd materials, games and code. I learned about Dinacon from last years class, and thought it would be a great extension of my studies and an opportunity to keep spending time with all those fun and beautiful fields I just discovered.
As a project I would like to build up on a portable setup (including an ESP32 and a set of wool-sensors), which I’m working on right now, and combine it with whatever materials inspire me in Batticaloa, and adjust it to the scenery. Also I really want to focus and have fun with documenting my process and the projects I get to observe.
Project: The Sound of Batticaloa
Brendy (he/him) is a first year graduate student of Collaborative Design at the Pacific Northwest College of Art in Portland, Oregon. He plays drums, keyboard, and guitar, and plays/writes for local Portland band, 2nd Base. He also writes and records solo as FeatherCrest. A lifelong visual artist, he is now taking on digital art, through posters, data visualizations, and iconography/logos. Leading into thesis year, he is planning to use his affinity to sound, humans and nature to delve into the realm of noise pollution– specifically around how Portland residents in the BIPOC, lower income and houseless communities are disproportionately effected by sound pollution through systematic shortcomings in local legal codes.
He’s also a distance runner addicted to hot sauce.